Just two beings hustlin' to deliver what’s what and when’s where of la crème de la crème. The Best. The End.

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Wednesday, January 27, 2010

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AFTER THE PARTY… IT’S THE AFTERPARTY;
NACHO LOVERS & FRIENDS......And I'm not talking about "friends" who need a place to spin and can only find space at an early afterparty.... I'm talking 'BIG TINGS AT THE FAKTORY'.... So big that if everyone knew the actual line up the fire marshals would have to be called..... get there early(2:30am) to get in on the biggest afterparty of 2010 THUS FAR!

Lets face it.... with Rusko at the Sound Academy and Brodinski at the Wrongbar....You're gonna know a couple of your own friends that are looking for a place to go in the wee hours.... Might as well be the man;

CLICK HERE FOR THE FACEBOOK EVENT OR GET AT ME WHILE I STILL HAVE REDUCED WRISTBANDS AVAILABLE!


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Mary Anne Hobbs; Wild Angels

I'm The Sh*t B*tch!

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Friday, January 22, 2010

Dubstep Allstars at it Again....


Article Courtesy of the Binge's Tom Jenkins;

Along with hyperdub, tempa have been at the forefront of the dubstep scene for a good few years now, releasing some classic albums by Headhunter and Benga along the way. The Dubstep Allstar series have always attempted to push genre defining, forward thinking dubstep with mixes from some of the best in the scene (check out the last installment mixed by Applepips frontman Appleblim, for a taste of brilliant techno infused dubstep). For their 7th installment of the Dubstep Allstars mix series they've called on the talents of Chef and Hessel audio co-owner Ramadanman.

Along with Pangaea and Untold, Ramadanaman man's Hessel audio label have been releasing some of the most forward thinking techno and 2-step infused dubstep in recent memory, with a catalogue of releases including Pangaea's brilliant 'Router', Ramadanman's own percussive monster 'Blimey' and Untold's Anaconda/Kingdom, they've made quite an impact on the scene in the measly three or so years they've been around.

Given all of this I was interested to see what Ramadanman's hand would bring to the already exemplary compilation series and my feelings are mixed. His track selection is nothing short of brilliant, some great tracks, both released and unreleased, including bangers by James Blake, Untold, Peverelist, Pangaea and the man himself, but the mixing leaves a bit to be desired. It listen's like a club set and due to that it lacks refinement, leaving me feeling that maybe it did'nt do the caliber of the tracks included in the set justice, but regardless, its still a highly accomplished portrayal of the state of dubstep in 2009.

The Chef side of the mix gives us more of what we're used to, wobbling bass, half step rhythms, with some great released from the likes of Benga and Skream. Its more of a conventional display of dubstep but its equally effective and a great listen.

Monday, January 18, 2010

Hypnomania



Damn. I guess living in Detroit in the 80s wouldn't have been all that bad.

Friday, January 15, 2010

Faktory Presents Star Eyes & the Captain !! !!


BIG BROOKLYN BASS is back with another installment from Trouble & Bass. This time it's only half of the Trouble & Bass team in town and they aren't here to mess about. This isn't a club night...It's a PARTY...and trust us when we say that these two are REALLY GOOD.

Star Eyes recently hooked up with XLR8R in theme to their city guide podcasts in which they choose a DJ that's known to be responsible in raising a local vibrant scene to make a podcast mix. Her Theme: NYC. It's nothing like what you'll hear tomorrow night, but non the less, absolutely gorgeous to lounge to. Check it HERE.

Hope to see you tomorrow.

For AFTERPARTY Wristbands GET AT ME!


TROUBLE MAKERS...MAKE SOME NOISE!


Thursday, January 14, 2010

Fame

I said ‘Daddy I wanna be a rockstar,’ and he said ‘Go be a rockstar.’ So I figured it out. In downtown New York and really in New York everywhere, really in the world, you have the ability to self proclaim your own fame. You have the ability to experience and feel a certain amount of self worth that comes from a very vain place simply by your choices. Your opinions about fashion, your opinions about music, your opinions about politics. The way you walk down the street, the way you carry yourself at parties. You can literally choose to have fame.
— Lady Gaga



Monday, January 11, 2010

Hard Working Class



Soooo, we here at Gosh Damn have a pretty exciting month coming up. It was as if all of a sudden we were like "goddamn, there's twenty million exciting things happening in Guelph" - funnily enough, all of them happening after I decided to move to Toronto. There's a list of up and coming BIG things at the bottom of this blog, one of them being our brand new mixtape launch happening at the end of January. It's been in the works for a damn long time, and this time it'll be kind of like the last Jerkslow Movefast mixtape - myself, Part/Parcel and Fahecktic making a roughly 30 minute mix back to back. This was my first try, but I think I want to try all over again with new tracks.

How can I describe this mix? I'd say, start with a smattering of Afro-house, add some kazoos, 90s dancehall legend Cutty Ranks, some UK Hyperbass, the Hare Krishna chant, the Russian version of Major Lazer's "Pon De Floor", Horns, and a bit of Banjee hip hop where the chorus kinda sounds like an old Timberland joint before he got hooked on steroids. Enjoy!

Tracklisting
Esau Mwamwaya - Saga Africa Intro
Lazy Flow - Unknown
Wasted Youth Soundsystem Dubplate - HORNS UP
L-Vis 1990 - United Groove
Style of Eye- The Big Kazoo (Nacho Lovers Limb By Limb Edit, Young Bran's "Just One Limb" re-re-edit)
Boris Dlugosch - Bangkok (Dub)
Renaissance Man- Wut Is Guru?
Douster - King of Africa (Homework Edit)
Kingdom - Dance It Off ft. Telfar & Melissa Burns


And here are some upcoming shows in Ontario that I'll be playing. Don't sleep.

Jan 14th - Gosh Damn! @ The Albion Hotel, Guelph
Jan 16th - Love Cry @ Jane Bond, Waterloo
Jan 23rd- w. Autoerotique, Shyguise & Applied Sciences @ TABU, Guelph
Jan 28th - Gosh Damn mixtape launch, The Albion Hotel, Guelph
Jan 29th- w. Azari & III @ The Guelph Googenheim!
Feb ? - Bonjay?
Feb 9th - The Beaver, Toronto ON? (unconfirmed, but prolly)
Feb 13th- Down Low @ 751 Queen Basement (come & ask me to play your song of choice by The Dream)

Blank

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Philly-bred rapper Amanda Blank first wowed me opening for Peaches at the Phoenix in Toronto. She hopped on stage wearing a flashy gold hooded poncho, to then strip to a sexy fluro-animal print one piece. Although Amanda’s fashion sense totally scored her some points, her on-stage energy and upbeat tracks really won me over. The hip-hop/electro babe was previously on tour opening for Santogold and Karen O, but currently ending her solo tour in Australia. She released her first solo album “I Love You” July 2009. It's a party packed CD that has has beatz from Diplo and Switch and features Lykke Li, Spank Rock and Chuck Inglish. All in all, the album is a hit. Very versatile. Amanda can sing, rap, write and perform. On top of her solo work she also sings in an indie/rock band called the “Sweathearts”.

Blank is on the rise so keep an eye out for this chick cause I'm sure her vibe is gonna get to you.
Check'er out!

www.myspace.com/amandablank

Thursday, January 7, 2010

Shredding the Gnar with Louis Vuitton /Damien Hirst/Kaws






Textile Prints

The use of print within fashion is not a new phenomenon, however, with technological innovation a surge of photosynthesis prints is giving an almost 3D effect to the finished garments. One brand whose signature style integrates narrative prints and a kaleidoscope of colors is Susanne Ostwald and Ingvar Helgason of Ostwald Helgason.






Also, Enjoy Tina Kalivas's Autumn/Winter 2010.


Noteworthy Technological Advancements

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Oh wow. If you own an Iphone you have to get this. L5 Technology introduced an accessory and free app that turns any iPhone or iPod touch into a universal remote control. It's comprised of a small hardware device that plugs into an iPhone or iPod touch dock connector and a free app to be available from the iTunes App Store. The accessory works without batteries and will control any number of devices within about 30 feet, according to the manufacturer. It doesn’t require independent batteries, Wi-Fi or external power to function. More Info [flylyf]

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Also, The Swing Your Energy Charger by Song Teaho & Hyejin Lee is a recent invention that allows you to insert your cellphone battery into a device and with a few good spins around your index finger you have enough power to chat for little longer or at least get you to a charger. If this doesn't run for an obscene price, it just might work. Source

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Tuesday, January 5, 2010

Marcus Troy//Dexpistols

Marcus Troy just put a cool new video entitled Parkour Motion Reel. The short animated piece was done with a technical pen, frame by frame. Check it!


Featuring Jon-E from Japanese brand Phenomenon, fun-loving, electro-pop outfit the Dexpistols are set to release their upcoming LP in 2010. Here’s a look at the first video, representing the first single, entitled ‘New Jack House’ from their forthcoming album. The video was directed by P.M.KenVideo, along with Dexpistols themselves.

Source: Tokyo Dandy


Saturday, January 2, 2010

Spitting Image... Avatar and American History






 


Avatar; definition

1 - a representation of oneself, a personification

2 – a sick, sick, dope ass movie that is currently in theatres

 

A great feeling consumes one whose attended an event or had an experience that met up to every expectation, and even exceeded a few. It’s as though you’ve been given a reminder that all is not gone to waste in the world, and the “good ol’ days” do not exist only in the past. Such is the feeling I have now, after seeing James Cameron’s latest film, Avatar. This film amazed me in ways I can’t fully describe. It was a stunningly picturesque movie, and it spent the last nearly 3 hours penetrating my eyes and ears so vividly, that I may not be touched by an action or adventure film again in my life. 

Tall blue human-like creatures gallivanting through forests at the speed of large dogs, trees that would have towered over a small town and blocked out the son for a mile, and spectacular displays of unimaginable wildlife conquered every one of my senses to the point of almost convinced involvement. I'm serious; there were times when I actually thought I might be part of this movie. Of course the films 3-D aspect added beauty and clarity to the on screen scenery, drawing me further in to the world than could ever be done without those glasses.

I was at first skeptical about wearing 3D glasses to watch a movie, I guess I still had the image in my head of being six years old wearing cardboard framed eyewear with one red, one blue lens, staring at pictures of blurry dinosaurs as they lifted off the pages of my comic book. But I learned something tonight about technology… things done changed. What I experienced was nothing like those fuzzy old photos, and although they had the same engaging effect, the clarity was nothing compared to what Cameron has done with his new blockbuster. Every punch thrown or arrow shot feels closer, every face and body realer, and with a world as stunningly beautiful as the one created for Avatar, it was a pretty bitchin’ ride. 

 

            But as much as what grabbed me throughout my watching of this film were its lush visuals, my after thoughts led me down a different path. In leaving the theatre I began to see the story line that gave life to Avatar, and I realized a few similarities to a story I already knew. You may recall a history class you took in school, or a book you read when you were younger, or perhaps a movie called Pocahontas. In case you can’t recall this movie, I shall recap.

British settlers discover the continent of North America; rich with beauty and natural resources, and populated by several different groups of indigenous people. These natives have something the settler’s want: land and resources. So what do the settlers do, but follow the line they were already on at this time of great imperialism, and take it by force. Yep, in both real life and the story of Pocahontas alike, Colonial efforts bring a crushing fist down upon natural beauty and simple living, taking over everything possible and not taking no for an answer. 

But amidst all the bloodshed and takeover their existed another story, if not in reality then at least in the movies. A young member of the white clan, who is at first dedicated to the cause, is enchanted by the beauty of this new land through the heart of a young native woman. Suddenly, unexpectedly, everything changes. John Smith meets Pocahontas and suddenly is not so high on the moral of his mission. It seems he’s been shown something, taught a lesson about life and what is really valuable. 

Unfortunately for him, and even less fortunate for the indigenous people, no one really gives a shit about his epiphany and they take over North America anyway. The “Red Man” falls, and capitalism rises. The end.


In Cameron’s film things are different, and yet the same. The lush new land to be cultivated is not North America, but a planet called Pandora, which exists years of space travel away. And it is not land that the invading human’s want, but a valuable mineral… then again, the English didn’t claim to want total takeover at first either. The mineral they start off looking for is known as “unobtanium.” Sounds a lot like unobtainable, which may or may not have been a hint of foreshadowing about the fate of their mission, but that is for you to decide.

Regardless of their inability to pick up on clues, the humans push forward to extract as much of this mineral as they can. Their issue is that the unobtanium’s richest supply lies beneath the heart of a civilization known as the Na’vi, a tribe of blue skinned humanoids who live at peace with the land and hunt only enough to sustain their simple, yet meaningful lives. In case you’re not with me on the parallels between Cameron’s fictional landscape and North America’s past experiences, I shall elaborate.

 

Natives during the time of colonial expansion were highly regarded for their connection with nature, and like the Na’vi in the film they had exceptional skills at surviving in what was in both cases seen as a very dangerous landscape. New and ferocious creatures filled the forests of both Pandora and America. Things are of course kicked up a notch in Avatar, but you have to allow for its being the future, a planet in another galaxy, and the fact that bears aren’t so terrifying to us anymore… but mark my words, back when we first came to North America, nooobody was phuckin with bears.

 

You might also notice the patriotic colour scheme we’ve created here. White people invaded the Red man’s land, and now in Cameron’s film they try to force out the Blue people.

Red, White and Blue… I think we’re getting somewhere.

 

In Cameron’s film we have the same love story as in Pocahontas and a number of other colonial stories. Paraplegic marine Jake Sully ventures into the jungle to join the Na’vi as one of their own, in the biologically engineered avatar that becomes the films focus. His mission has two sides; one is to collect data for scientific research, the other is to force the Na’vi off their homeland by finding out what is important to them and bringing that information to the corporation for the purposes of aggressive bargaining. However, when he falls in love with the Pandoran version of Pocahontas, his mission is compromised. He falls in love with the forest, with living freely and being a part of nature, and he wants nothing more than to preserve all that natural beauty. He tries desperately to convince those making the decisions to stop their destruction, but like we learned in the past nothing gets in the way of colonialism. War breaks out, and many lives are lost.

As we can see the similarities are plentiful, which might lead one to ask: other than the minor details, what’s the difference?

The resounding difference, the one that cannot go unnoticed, is the outcome. Where the Red man fell, the Blue man prevails. The powerful forces of nature save Pandora, as all of the planets creatures band together in a last ditch effort to force out the plague that is destined to destroy them. The white imperialist force takes on a role it is not accustomed to, and goes home empty handed.

Yes in Avatar the natives are for once allowed to live in peace, and go on with their lives relatively the same as they were before. But they are not without damage; their home has been destroyed, and their planet is scarred forever. Also, they know fear now, and the threat of future attack hangs over the jungle canopy, like a bird of prey waiting for a moment of weakness.

[Anyone wishing to know a more accurate truth about American colonialism should check out Howard Zinn's, A People's History of the United States... not your average history book.]


After examining the parallels of this film and real life colonialism one might start to wonder what this film is trying to tell us, or what we should take away from watching it.

 

Is it that taking over people’s homes for our own selfish benefit is morally wrong? This seems to be films strongest message, for I dare anyone who watches to try not cheering for the indigenous people to win… I am sure you will fall short.

 

Maybe it symbolizes the inevitable failure of colonialism. History has taught us that all things come to an end; suppose this film could act as a reminder that we are not invincible, that those who wish to take over everything they come across will sooner or later meet their match, and be stared down by a force more powerful than they can handle.

 

Perhaps what this film is saying is that happy endings, for those who wish to live simply, to fight for what is good and to preserve what is beautiful, exist only in fictions. Maybe Avatar shows us that these ideas are a dream, one that exists in our imagination on planets called Pandora, billions of miles away, hundreds of years in the future. Maybe it’s saying that the humans will return to Pandora with more people, and more guns, and they will take them over for good. Perhaps these ideas of victory and freedom are a dream that we should not dwell on, for like Avatar’s leading character Jake Sully says, “sooner or later ya gotta wake up.”

 

Or Maybe it’s message is better than that. Maybe what this film is saying, what we should walk away with is that we as people should stop for a moment to look at our own planet, because it is still rich in natural beauty, but dying slowly. Of course it is nothing compared to what it held let’s say, 200 years ago, but earth is still alive and breathing, and there is hope for nature. Maybe Cameron’s film is a reminder to us of what we have, a reminder of who we truly are, and what we truly need, and maybe it’s telling us that if we only recognize this soon enough, we can have it. Maybe this film is asking us to stop chasing “unobtain-ium,” and start enjoying what beauty still remains to us. There’s a freedom loving, tree climbing, fresh air breathing being in all of us, and this is our Pandora… on the verge of destruction.


Take away from Cameron’s film what you will, either way this movie is an incredible accomplishment, and will no doubt raise the bar considerably for all future filmmakers. What an experience. 

Friday, January 1, 2010

18 World Records, 3500 Trophies, 800 Major Championships



Bob Munden:
Fast draw is the fastest thing a human being does, nobody does any thing faster then what I do with guns.

Interviewer: Can you give it a comparison to something that would come close but not as fast?

Bob Munden: Speed of light.... which is far beyond it, there is nothing next to it.


a little art for the ears; [binge]- the jumper



Since moving to London, whiz kid Tom the Gun Jenkins has been stepping up his game. This poster above seems sufficient enough to sum up the direction he's taking. Here's a little taste of what he's been creating:

The Jumper - [binge] (Media Fire)

Instead of doing the myspace thing, Tom has been compiling a solid portfolio of his tracks and a couple mixes via sound cloud.

www.soundcloud.com/binge